Michael: A Queer Cinema Catchup & The Queer Frame Archive Review

In this episode of Queer Cinema Catch Up, hosts Joe and Allison are joined by Andrew Proctor (@andrwprctr) from The Queer Frame Archive to discuss the 1924 silent film 'Michael'. They delve into the movie's portrayal of queer relationships, its historical and cultural context, and the director Carl Theodor Dreyer's unique filmmaking style. Their conversation also touches on the availability and preservation of early queer cinema and draws parallels between 'Michael' and contemporary films. From initial perceptions to in-depth analysis of character dynamics and thematic elements, this episode provides a comprehensive examination of a landmark in queer film history.

Edited by Abu Jafar

00:07 Introducing Andrew Proctor and The Queer Frame Archive project

00:27 'Michael' Intro

00:53 The Weimar Republic and Queer Representation

02:38 First Impressions

04:17 Silent Film Techniques and Carl Theodore Dreyer

09:46 Plot Overview and Character Dynamics

18:31 Analyzing the Countess and Michael's Relationship

22:26 Interpreting the Film's Ending

32:24 Michael's Debt and Claude's Generosity

33:27 Religious Symbolism in Michael

36:09 Queer Representation in Early Cinema

39:22 Herman Bang and the Source Material

46:34 Claude's Loneliness and Tragic End

55:52 Comparing Michael to Modern Films

01:00:11 The Importance of Film Preservation

01:04:59 Conclusion and Final Thoughts

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